30 Sep Todas Las Tardes
mezzo-soprano & piano [2’]; words Federico Garcia Lorca; 2015.
Commissioner: Soundstreams Canada
Premiere: Krisztina Szabo & Stephanie Chua, The Gardiner Museum, Toronto, September 18, 2015.
Text: Federico Garcia Lorca
How to set a portion of the Ghazal for a Dead Child by Garcia Lorca without hearing echoes of George Crumb’s version? I purposefully didn’t refresh my memory of this vocal classic, focussing instead on the first stanza of the poem, interpreting it as a quietly obsessive rumination on loss. The singer and pianist are both called upon to step outside their comfort zone through body percussion and vocalization. In response to the lyrical devastation of the poem, I chose to work with numerical patterns based on syllabic and visual structures of the text. The result is an emotionally restrained, simple, stripped down setting.
Todas las tardes el agua se sienta a conversar con sus amigos
Every afternoon the water sits down to talk things over with its friends