New Zealand-Canadian composer Juliet Palmer is known as a “post-modernist with a conscience” (The Listener) whose work “crosses so many genres as to be in a category of its own” (Toronto Star). Juliet is the artistic director of Urbanvessel, a platform for interdisciplinary collaboration. Recent works: The Man Who Married Himself with librettist Anna Chatterton and choreographer Hari Krishnan (Toronto Masque Theatre); Vermillion Songs for tenor Simon O’Neill and NZTrio; Invicta, with text by Blackfoot Pikani spoken word artist Zaccheus Jackson (Signal Theatre and The National Youth Orchestra); Quarry for soprano Sarah Albu and Continuum (Touching Ground Festival);  Sweat, a cappella opera with writer Anna Chatterton (Bicycle Opera tour; Center for Contemporary Opera & National Sawdust, New York); Boots, an interactive boudoir opera (Opera Peepshow); Singing River, a site-specific performance at the Wonscotonach/Don River (Aanmitaagzi, Native Earth, Evergreen and Pan Am Path); and Voice-Box (Harbourfront World Stage premiere and Fresh Ground commission). 

Upcoming: Secret Arnold (Vancouver Symphony), January 2018; Inside Us, installation and performance (Western Front, Vancouver), February 2018; piano solo for Stephen De Pledge (NZ Festival), February 2018; Morse for Marie-Annick Béliveau and Instruments of Happiness with text by Simin Behbahani (Canadian tour), March 2018; and a new work for the Detroit Symphony, June 2019.

Based in Toronto since 1997, Juliet’s work has been featured around the world with performances at: New York’s Lincoln Center, London’s Southbank Centre, the Huddersfield Contemporary Music Festival, Bath International Festival, Voix Nouvelles France, Italy’s Angelica Festival, Evenings of New Music Bratislava, Musica Ficta Festival Lithuania, NYYD Festival Estonia, The Istanbul Festival, Soundculture Japan, the Adelaide Festival, the New Zealand International Arts Festival and Canada’s Sound Symposium.

Juliet was the 2011/12 Creative New Zealand/Jack C. Richards composer-in-residence at the New Zealand School of Music and the 2012 composer-in-residence of Orchestra Wellington. She is the winner of the Detroit Symphony’s Elaine Lebenbom Award and the recipient of a Chalmers Arts Fellowship 2018-19. She is currently Composer-in-Residence at Sunnybrook Research Institute, a position funded by the Ontario Arts Council.

Juliet holds a PhD in composition from Princeton University and an M.Mus in performance, composition and time-based art from Auckland University. Her teachers and mentors include: Louis Andriessen, Jack Body, Phil Dadson, Michael Gordon, Eleanor Hovda, David Lang, Paul Lansky, Annea Lockwood, Meredith Monk, Steve Mackey and Julia Wolfe.